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Archive for December, 2008

GRANDUNCLE: LAST CALL!

Friday, December 19th, 2008
There are still a few tickets left for the final two performances of The Granduncle Quadrilogy, so look sharp!

Meanwhile, some more press:

Greg Burgett in the New York Press:
The Granduncle Quadrilogy, now in its final weekend, seems to have slipped in just under the wire, an impressive ode to lives needlessly centered on conflict and tradition… Inhabiting a world lovingly created by writer Jeff Lewonczyk and director Hope Cartelli, the characters traverse a frosty stage of minimally-adorned white. Wearing expensive looking, perhaps budget-hogging layers of fur and long johns, they parse Granduncle's unreliably remembered life spent eating "puffin's beak" and at a mandated week in "honeymoon camp" (his residence beside "Lake Intestinal" and time atop of "Mount Cranium" imply a rich, interior fantasy state).
And Samantha O'Brien in OffOffOnline:
While multiple deaths on frozen tundra might not be everyone’s idea of holiday cheer, the Brick Theater’s dark comedy, The Granduncle Quadrilogy: Tales from the Land of Ice, makes for good morbid fun. Jeff Lewonczyk’s script so extensively crafts entire cultures with their own lexicons, traditions, and histories that it feels like fictional anthropology. In the cast’s capable hands, even the most peculiar traditions or phrasings (describing smell as “taste for nose” was a favorite of mine) seem natural. Granduncle largely succeeds in telling a good story well—a simple goal, but one too often overlooked or unnecessarily complicated by aggressively experimental or ironic productions. Such a uniquely imaginative show as this is enough to put you in the holiday spirit – no matter how many bodies pile up.
In the interest of fairness, I also feel compelled to mention a review in Time Out New York, with which I have understandable quibbles.

Hope to see you at the show!

MEDICAL THEATER

Tuesday, December 16th, 2008
From today's New York Post...
ANXIOUS APPLE IS NOW PILL CITY
By ANDY GELLER


Nervous New Yorkers are popping more
pills.

Prescriptions for anti-anxiety drugs, anti-depressants and sleep aids are surging as residents struggle with the economic crisis, Crain's New York Business reports.


"If we looked to diagnose the city, I'd say it has an anxiety disorder," psychotherapist Dr. Mel Schwartz told the weekly.


In September and October, sleep-aid prescriptions reportedly rose by more than 7 percent, to 366,870, compared with those months in 2007.
You heard it here first - the City is primed and ready for The Antidepressant Festival...

NYTHEATRE.COM’S “PEOPLE OF THE YEAR 2008″ INCLUDES 3 BRICK ALUMNI!

Tuesday, December 16th, 2008





Congratulations to Gyda Arber, Michael Criscuolo and Ivanna Cullinan on their citations as nytheatre.com's People of the Year 2008!

All 3 are also Master Masons of The Brick.

What was that you said?

What is the ultra-secret society known as The Master Masons of The Brick?

We can't tell you that.

“WILDLY IMAGINATIVE AND ENGAGING TO THE SENSES”

Friday, December 12th, 2008


The greatly anticipated Granduncle review from nytheatre.com’s very own Martin Denton posted today, and we’re thrilled to say that he liked it! Here are some highlights:

It's a funny show, and also a melancholy one; wildly imaginative and engaging to the senses. Jeffrey Lewonczyk … has pulled out all the stops in imagining an alternative universe in which to set his story that is at once weird and off-kilter and incisively familiar. Also Hope Cartelli, the director, who with a crackerjack design team has realized Lewonczyk's imaginary world in vivid and robust detail.

Each of the tales' various thematic ideas give free rein to Lewonczyk's imagination, and the fun derives from seeing how he'll use exotic ingredients like an albatross egg or a mammoth trunk in contexts you just don't see coming. When he gets to create from whole cloth a second new world—in the last piece, when Granduncle's wanderings take him to a land so warm and fertile that you can pick and choose which birds you will eat—Lewonczyk goes into overdrive.

Also, we’ve posted a few new pics on Flickr. Enjoy - or else.

(Photos, as ever, by Ken Stein/Runs With Scissors)

OHIO OH NO

Tuesday, December 9th, 2008
The Ohio Theater, one of Manhattan's essential performance spaces, is in danger of closing, according to Alexis Soloski at The Village Voice. We've had a great relationship with them over the years - especially when they were our sister space during Untitled Theater Company #61's Havel Festival in Fall 2006 - and, despite Soho Think Tank Artistic Director Robert Lyons's lack of sanguinity about a long-term solution, we wish them the best in a struggle that too many theater spaces these days are facing.

AND THE 2009 BRICK SUMMER FESTIVAL THEME IS…

Monday, December 8th, 2008
... well, rather than just up and TELL you, why don't you treat yourself to the full multimedia treatment, in the form of the video that was presented at Friday night's announcement party?



Ladies and gentlemen, start popping!

THE GRANDUNCLE QUADRILOGY: LEAVE YOUR COMMENTS HERE!

Monday, December 8th, 2008

We had a wonderful opening weekend, and thank you to the many individuals who came out to support us during our first three shows.

I’m opening up this page as a set place for audience members to leave comments about the show, whatever those comments may be. We already received a thoughtful and inspiring mini-review of the Friday performance on one of last week’s posts, and if you’d like to read it click here and scroll down.

We also received a generally positive review on Gothamist, which is exciting. Some key quotes:

If Joseph Campbell ever got really baked and told his grandchildren a meandering bedtime story, it might have sounded something like The Granduncle Quadrilogy… There's an endearing 'let's put on a play' charm at work here... the minimalist set proves you don't need much to evoke an alternate reality in the theater. With just a white backdrop suggesting a desolate snow-blind north country, and Julianne Kroboth's elaborately funky costumes of pelts and feathers, director Hope Cartelli transports the audience deep into the tundra.

There are a couple of comments on that post as well, one of which simply says “I dig this play,” the other of which says “FUR IS DEAD,” in reference to the photo (which happens to be the same one at the top of this post). In response to the latter, let me quote Hope, who told me in an email today that “all fur in the piece is recycled vintage that would have otherwise gone to the trash and is better off serving a show then festering in Staten Island!” So in other words, no animals were harmed in the making of this show.

Let the comments commence!

(Photo of Richard Harrington & Fred Backus: Ken Stein/Runs With Scissors)

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